Back to complex basics

After 12 years, it would be great to come back to basic play of Commoveo, to practice those intimate structures and make them pucblic in many forms. Let’s get reminescing 🙂

After 6 years, let’s give some further explanation about intimate structures.

In 2002 we were making Commoveo (0.1 version): Valentina Čabro, Desisilava Minčeva, Roman Koštal, Petar Todorov and Matt Shini.

I would be a choreographer. With each one of us I had one-on-one sessions where we would develop what we called intimate structures. We were the only two people that knew this intimate structure. When doing scenes of a play/performance, we would be using the material, parts of each ones’ intimate structures but not in the way it is used in the intimate structure in order to protect this intimate structure. The slight change in one of the elements of the material one would take from the intimate structure would be enough to be used in the making of the Commoveo scenes.

Of course what happened is that the scenes started to influence the intimate structures. So there was this mutual transforming between intimate structures and scenes.

Unfortunately I had no courage to continue with this method, well, actually I did in work with Petar Todorov a bit, since I was discourged by the immediate surrounding to continue with this method.
And then it resulted in something like 42 🙂