As announced in post Bach I performed 42 through my sensation of JS Bach. I performed in the afternoon 21st March 2014 at Žlebe.
Very soon I came across what has been announced at one of the photos at the home screen of 42: “Dancing across DNA”. One of the first things I noted was:
There is a labyrinth in each movement. I am sending movement impulses in different direction of space to sense by the response, what is the next movement. The movement that is about to come and the movement that is being ended, mix into movement that is here in front of your eyes right now.
Maybe that is the closest a mam can come to giving birth.
And then an imagination kicked in even more, and I wrote that in the name of JS Bach (though I do not pretend to become of sense JS Bach, I am merely using my sensation of JS Bach)
And that for me was music: giving birth. Like you did to so many of our children, my dear wife.
Then more was being born in me and at that moment I wrote something like
When prelude starts, overwhelmness comes. There are movements, there are body conditions, there are trees, branches, leaves, animals I cannot sense, sounds, music, all rushing in (me) like there is a rock star being born in me.
All I am left with is strong sense of composition. Instant composition of passes. So everyone and everything might pass through this creature called Matt Shini. I render the passing and passage badly. Worth trying though. Failing. Falling. Again and again. Like trees after žled – the great composer destroyer.
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